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Page 9 · DO #4535 · 116_Van%20Schaack_Bx7FF3_r
- Collection
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George B. Van Schaack (1903–1983) papers
- Item/Folder
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Correspondence L–M (1 of 2), 1964–1972
- Digital Object
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DO #4535,
page 9
- Collection-level dates
- 1918–1981
Page transcription
Hunt Botanical Library
Carnegie-Mellon University Pittsburgh Pennsylvania 15213
12 January 1970
(Dictated 8 January 1970)
Miss Carla E. Lange
Missouri Botanical Garden
2315 Tower Grove Avenue
St. Louis, Missouri 63110
Dear Miss Lange:
The January/February issue of the Missouri Botanical Garden Bulletin has just come to hand and I'm pleased to read your account of Parkinson's herbal. You may receive a few raised eyebrow comments from readers who will recognize that the portrait of Parkinson as reproduced is not that of an engraving, since it is devoid of burin or scribe lines. Our portrait of Parkinson is in oils on an oak board. The credit line under the reproduction "Todd Studio" suggests that it was they who made the photograph from the original in our collection, whereas the photograph for the reproduction was supplied by us. It is customary to provide a credit line for the photographer who made the photograph from the original subject, and not for one who may have copied another photograph, or who made the halftone plate. I write you of these matters for your own information and without thought that any reference to them should be made in any future issue.
The reproduction of the famous woodcut of the gardener working in his private nursery on p. 29; which is in Lonicerus, has its origin not in Lonicerus but in Christian Egenolph's Lustgärten und Pflanzungen (Strasbourg, 1530). You will find a reproduction of the original woodcut in the Hunt Catalogue, vol. 1, pl. V. Egenolph himself is generally credited with having made the woodcut. So far as is known, this is the first publication of an illustration of a gardener working with ornamental plants.
On p. 6, in your Parkinson account, you report that Parkinson's Theatrum and Gerard's Herbal were the two main pillars of botany in England till the time of Ray. Here, one must not forget the significance in England of Henry Lyte's translation of Dodoen's Herbal, which he named "A Niewe Herball" (1758), so popular and so much in demand at that time as to go-through two subsequent editions extending the contents far beyond Dodoen's original. The third edition was published in 1595. The interrelationships between the second and third editions of this, and the first edition of Gerard, has been the subject of much study, since Gerard has openly been accused of plagiarism. While the